Purple vinyl, with four-sided print foldover sleeve, black dust jacket, download and sticker. Pressed in Detroit, USA.
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lyrics
In the seventh generation of the one named Cain was polygamist Lamech, and son Tubal-Cain. The son worked bronze and iron. His weapons were the pride of his father. What did Lamech see through his son’s eyes. Was he bloodthirsty as was his family line? Was the arrow guided by the blacksmith’s hand through the ribs of Cain (the first one to slay). We know what Lamech said. There were now two dead: a man and a boy. If Cain is cursed seven times, seventy-seven for the man with two wives. The song of the sword, the first poem sewn by the hand of Moses so we may be shown us men have vengeance in our hearts. We are dark by nature. Now in the field two bodies bleeding out. “Cursed is the line of Lamech for killing the man with the mark. Cursed is the line of Lamech, for killing that boy that was his son.” We don’t know why he has done the things he has done. The first sword was forged by Tubal-Cain and in its rookie year, two corpses made. The anger of Lamech.
supported by 9 fans who also own “What Lamech Did With The Produce of The Anvil of Tubal-Cain [July]”
I think the concluding song encapsulates what I most enjoy about this album: a defiant hopefulness that stands against the dark, determined to rise again when its knocked down, determined that it will know hope. archival_blob
supported by 7 fans who also own “What Lamech Did With The Produce of The Anvil of Tubal-Cain [July]”
La traversée du désert n'aura pas duré quarante jours mais quatre longues années...
Avec Панихида, Батюшка renaît enfin de ses cendres et, bien que désormais seul (ou plus exactement entouré de deux chanteurs), Христофор accomplit un miracle. Il s'inscrit dans la continuité de Литоургиiа avec un black metal orthodoxe qui nous convie ici à une cérémonie dédiée aux morts. Sa vision est englobante : les mélodies, la gravité et le silence font toucher le paradis ; l'agressivité est luciférienne. Jordan Vauvert
supported by 7 fans who also own “What Lamech Did With The Produce of The Anvil of Tubal-Cain [July]”
Listening to this on shrooms was haunting, which made it into a serious trip! Which was a mistake I was not prepared for. I do have something to say about it though on why I think it such. I have personally experienced several tipi ceremonies. One would stay up through the night, consuming peyote, doing in some sense a molting process and does so by connecting you to the spirit world.
This album does this, but different - I say it transcends that experience, and does it well... On shrooms.
zaphexa
36 choice cuts - one from each 2015 LP, plus music from new signings on the mighty and 25-years-strong Relapse label. Bandcamp New & Notable Nov 4, 2015
supported by 7 fans who also own “What Lamech Did With The Produce of The Anvil of Tubal-Cain [July]”
Ice-cold, brutal, precise, lyrical — these are only some of the adjectives that could describe Yellow Eyes' composition and arranging on this record. Looking forward to another banger this year ubikdedalus